Indo-American Arts Council’s Erasing Borders Dance Festival 2026, A Feast For Afficionados

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The Indo American Arts Council held its signature event, two nights of the ‘Erasing Borders Dance Festival’ at the Kaye Playhouse, Hunter College. September 19 to 20.

It was two nights, nine performances, and a stage that moved from Bharatanatyam to Odissi without losing a beat, September 19 and 20, with tasteful and diverse portrayals of classical and contemporary manifestation of Indian dance forms.

The IAAC thanked those who came to fill Kaye Playhouse this year, noting the highlights and “some moments from the festival worth holding onto.”

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Ganesh Vasudeva & Nitya Narasimhan

Bharatanatyam, duo

The evening opened on the precision of two dancers with a duet built on symmetry, then quietly breaking it.

Opening performance on Day One- Ganesh Vasudeva & Nitya Narasimhan, Bharatanatyam duo

Preeti Vasudevan

Contemporary, solo

A solo that pulled the vocabulary of classical form into open, contemporary space. Restraint used as its own kind of power.

Preeti Vasudevan, Contemporary, solo on Day One

Sreelakshmy Kallungal Govardhan

Kuchipudi, solo

Footwork and storytelling in the same breath. The audience’s first hush of the night arrived somewhere in the middle of this piece.

Sreelakshmy Kalangala Govardhan in Kuchipudi, solo on Day one

Radhe Jaggi

Bharatanatyam, solo

Day One’s closing solo, a performance so splendid and so exact that it commanded the applause it received.

Radhe Jaggi performing Bharatanatyam, solo at closing of Day one

 

Organizers and participants posing at closing of Day one

Dr. Neena Prasad, with musicians

Mohiniyattam

The gentlest performance of the festival, and one of the most spellbinding. A masterclass in how much can be said by how one moves. With live musicians accompanying the piece, it was a rare treat for the audience.

Dr. Neena Prasad with musicians performing Mohiniyattam on Day Two September 20

Radha Varadan

Kathak, Solo

The gentlest performance of the festival, and one of the most spellbinding. A masterclass in how much can be said by how one moves. With live musicians accompanying the piece, it was a rare treat for the audience.

Radha Varadan’s Kathak, Solo

Aparna Sindhoor & Anil Natyaveda

Sindhoor Natya

Co-directors Aparna Sindhoor and Anil Natyaveda performed excerpts from their dance-theater repertoire, weaving Mysore-style Bharatanatyam with the sharp physical language of Kalarippayattu.

Aparna Sindhoor & Anil Natyaveda performing excerpts from their dance-theater repertoire

Arushi Mudgal Trio

Odissi

The festival’s closing piece. Sculptural lines, a rising tempo, and a final tableau that held the room silent before it broke into applause.

Arushi Mudgal Trio performing closing piece on Day 2
Curtain calls and full houses on both nights!
Curators and artists sharing the stage for the final bow, and two packed evenings of an audience that came back night after night.